Wading through the splutter of very ordinary Indie acts at Norway's by:larm festival last week, I came across my first direct experience of Skwee music courtesy of a night dedicated to it at underground Oslo club The Villa. Skwee has been bubbling under the radar for a while since one of the genre's first international introductions via Sonar 2008. It generally sounds like future funk made by machines from the era when they looked like cyborg robots and has roots mostly from Scandinavia, particularly Sweden and Finland. I had a chance to meet one of the scenes driving figures, Mesak, during by:larm and got so excited by the sounds I heard at The Villa and on his new album The School of Mesak - I've written a review about both that night and the album. There is something for beats heads, disco, house and even grime DJs in this album - be sure to get on this Scando-wagon and pick it up!Thursday, February 25, 2010
Scando Robot Funk
Wading through the splutter of very ordinary Indie acts at Norway's by:larm festival last week, I came across my first direct experience of Skwee music courtesy of a night dedicated to it at underground Oslo club The Villa. Skwee has been bubbling under the radar for a while since one of the genre's first international introductions via Sonar 2008. It generally sounds like future funk made by machines from the era when they looked like cyborg robots and has roots mostly from Scandinavia, particularly Sweden and Finland. I had a chance to meet one of the scenes driving figures, Mesak, during by:larm and got so excited by the sounds I heard at The Villa and on his new album The School of Mesak - I've written a review about both that night and the album. There is something for beats heads, disco, house and even grime DJs in this album - be sure to get on this Scando-wagon and pick it up!
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