Having provided a platform for collaboration between Finnish VJs the Vixen VJs and myself, DJ Uraki Riddim, for the first Transplant Session we decided to go for a similar music and visual combination for Session # 2. Instead of a typical VJ and DJ set-up however, we took influence from an era of hip-hop that produced movements of not only music but dance, art and fashion. Our second session explored the history of the 'Scratch' and intended to reinterpret it's raw essence in a new format. Scratching in a musical sense, is the expression and manipulation of records to make new sounds and rhythms. It is an aspect of turntabilsm, performance DJing, and one of hip-hop's art forms. Other hip-hop art forms include break dancing, street art and MCing. Regular jam sessions brought these four art forms together and it is in this spirit that designer, artist and my work colleague Jan Brauer and I came together to create the 'Scratch' themed night that included an exclusive showing of Doug Pray's excellent documentary film 'Scratch' and first public showcase of Jan Brauer utilizing his scratch board technique live while I spun some classic and new hip-hop, electronica and dub beats.
Hailing originally from near Leipzig and following a working period in New York, Brauer moved to Dale I Sunnfjord on the west coast of Norway to work with Ralston&Bau design studio and Trasnplant's innovation and design center. For the duration of his stay he has attentively developed a unique scratch board technique to further communicate his deep, twisted and occasionally wicked humorous illustrative style. You can check out some images of the stunning final scratch board piece from this night and some of his other work's here. Brauer is also part of a mobile, playful and provocative graphic collective named Gono Gono and you can check out some of their works here.
Photo: Jan Brauer at work during Transplant Sessions #2 by Leon Vaarheim.
Photo: Jan Brauer at work during Transplant Sessions #2 by Leon Vaarheim.
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